Panasonic develops ultra high-speed memory cards

Panasonic has unveiled a new line of SD High Capacity (SDHC) class 10 UHS-1 (Ultra High Speed) solid-state memory cards with transfer rates of 90MB/s, or four-and-a-half times as fast as the previous generation of SDHC media. The new RP-SDB series of cards — available in storage capacities of 8GB, 16GB and 32GB — are optimized for Panasonic’s broad AVCCAM line of affordable HD camcorders.
The new UHS-1 media facilitate offload speeds of as low as 1.5 minutes from the 8GB card, to three minutes from the 16GB card, and six minutes from the 32GB card. To achieve the SBD Series UHS-1’s media’s high-speed transfer, a user must have a computer embedded with USB 3.0 technology and equipped with either a Panasonic UHS-1 USB adapter or with an SDHC card slot that supports the UHS-1’s chip.

Sony’s attempt to reclaim acquisition status

This year Sony has emerged from its slumber with new models based on CMOS sensor technology developed in house at its Atsugi facility in Japan that show promise for those professionals seeking images with a shallow depth of field or the highest-resolution image capture possible to emulate the look of film. Sony said it has been able to eliminate the moiré and aliasing problems experienced with many current HDSLRs while reducing the rolling shutter effect of CMOS imagers. In addition, when compared to traditional CCD chips, which Sony continues to offer in some existing models, CMOS offers increased resolution, lower power consumption, minimized noise artifacts and virtually zero image smearing. Local news crews could also benefit from Sony’s new emphasis on customer requirements.

Video device convergence forces Skype to embrace H.264

Skype’s decision to adopt H.264 was made because it has become the de facto codec for video delivery across a wide range of devices. Due to hardware acceleration built into low-powered devices such as TVs, Blu-ray players and mobile handsets, video publishers have increasingly turned to H.264 for video playback.
H.264 is arguably the best, or only, way to deliver video onto connected TVs and mobile devices. However, a battle is breaking out over the video format used by Web browsers for standards-based HTML5 video playback. While all modern browsers are working to support HTML5 and its video tag, which enables video playback without the need for a proprietary plug-in like Adobe’s Flash Player, browser makers are divided on which video format to support. Microsoft’s Internet Explorer 9 and Apple’s Safari browser have pledged support for H.264, but Google’s Chrome, Mozilla’s Firefox and Opera are backing Google’s open-source WebM format.

Canon’s New XA10 HD Camcorder

The new ultra compact XA10 Professional Camcorder is designed for situations where mobility is critical while shooting. This feature-rich, professional model records Full HD 1080p using an AVCHD codec. The ultimate professional camcorder for run-and-gun shooting, the compact XA10 includes a detachable handle for low-angle shooting and portability. With the handle attached the XA10′s functionality is further enhanced with the addition of XLR inputs and an external microphone holder.
A Genuine Canon 10x HD Video Lens delivers a wide, flexible zoom range (35mm equivalent range 30.4mm-304mm) and smooth, pleasing backgrounds thanks to an 8-blade iris. And an infrared mode allows users to capture video in conditions with little or no ambient light, a situation which would make other camcorders useless.
The new XA10 provides the option of recording to a 64GB internal flash drive or two SDXC-compatible card slots and the ability to simultaneously record to two cards at once for instant backup. Portable and packed with professional features, this camcorder will be the model of choice for on-the-go videographers.

AJA Ki Pro Mini cuts tapeless recorder down to size

AJA Video Systems introduced the Ki Pro Mini, a smaller, lighter version of its portable tapeless recorder that captures to the Apple ProRes 422 codec directly from the camera.
The Ki Pro Mini flash disk recorder mounts to digital cameras and accessories, enabling it to fit unobtrusively in small spaces for capture of 10-bit 4:2:2 files that are immediately ready for editing.
Ki Pro Mini offers a small form factor, support for SDI and HDMI cameras and key features including

10-bit full-raster recording to Apple ProRes 422 SD and HD formats (including HQ, LT and proxy)

Recording of SD/HD files from digital video cameras to CompactFlash cards

Mac OS X-friendly media and native QuickTime files with no log and capture required

Professional video connectivity through SD/HD-SDI and HDMI I/O

Two channels of balanced XLR audio with switch-selectable line/mic levels

Eight channels of embedded digital audio over SDI and HDMI

New Sony Handycam Lets You Change Lenses

Sony just announced its release of the first Handycam camcorder to accept interchangeable lenses. It also features a quad capsule spatial array stereo microphone that captures spectacular audio. I’m talking about the NEX-VG10. Not only does it offer the flexibility of an interchangeable lens system, it’s one of the sleekest-looking prosumer camcorders you’ve ever seen in a compact form factor.
The NEX-VG10 features a large Sony Exmor APS HD CMOS sensor with 19.5 times the surface area of sensors used in conventional camcorders. It’s the same sensor format that Sony uses in its Alpha compact DSLRs. The sensor lets you shoot AVCHD video at up to 24Mbps at full 1920×1080/60i HD resolution, which is ideal for recording onto Blu-ray media. The big, beautiful sensor also lets you capture 14-megapixel still images. The camera stores its recordings on Memory Stick or SD/SDHC media.
The NEX-VG10 comes with an 11x zoom 18-200mm Optical SteadyShot image-stabilized lens. It has an effective 35mm equivalent focal range of 27mm-300mm. But the camera is also compatible with all of Sony’s smaller, lighter E-mount Series lenses, which are optimized for video with silent operation and autofocus. An optional LA-EA1 adapter lets you attach Sony Alpha and Konica Minolta A-mount lenses, including Sony’s G lens and Carl Zeiss lenses.
If you want to capture high-quality HD video, you will of course want to capture high-quality audio to go along with it. The NEX-VG10’s quad capsule spatial array stereo microphone contains four microphone capsules that are sensitive enough to pick up detailed front-side directivity and stereo separation. But if you want more audio options, a microphone jack lets you connect external microphones, and a stereo headphone jack permits audio monitoring.
The NEX-VG10 features a 25-point autofocus system and lots of modes and settings to help you get the exact shots you want. Six creative style settings include Standard, Vivid, Portrait, Landscape, Sunset and B&W; you can also fine-tune contrast, saturation and sharpness if you like. A dynamic range optimizer recovers details hidden in shadows when shooting backlit subjects. Eight white-balance modes include Auto, Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash and Custom.
With the burst mode, up to seven frames per second, you can catch fast action still-image sequences. To eliminate blur, an Anti-Motion Blur mode quickly takes six consecutive shots, grabs the best data from each shot, and creates a single super-sharp image. Similarly, in low-light environments, a Handheld Twilight mode takes six consecutive shots and combines them all to create a single image with proper exposure. A High Dynamic Range mode takes three consecutive shots with different exposure settings and combines the best highlight and shadow details into one shot with more contrast than any single exposure can contain. If none of the special shooting modes appeals to you, the NEX-VG10 offers full manual control of Iris, Shutter Speed, Gain and White Balance for video and still shooting.
Like any good DSLR, the NEX-VG10 features Anti-Dust Technology to keep the CMOS sensor clean. A special coating on the sensor’s low-pass filter repels dust, and a vibration system automatically dislodges any dust that does manage to settle on the sensor. When it’s time to review your captured footage, you can do so on an HDTV via the camera’s HDMI output, or you can simply use the swiveling 3-inch Xtra Fine LCD

Sigma’s SD15 DSLR finally ships

Sigma’s SD15 — which is outfitted with a 14 megapixel Foveon X3 sensor, 3-inch LCD, True II processor, an ISO range from 50 to 3,200 extended) and support for SD / SDHC cards — is now available to order on American soil

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